• Atomic Fiction | Looper

    Atomic Fiction | sci-fi environments and vehicles for Looper.

  • Atomic Fiction | Looper

    Atomic Fiction | sci-fi environments and vehicles for Looper.

  • Important Looking Pirates | Kon-tiki

    Important Looking Pirates | Kon-Tiki

  • Important Looking Pirates | Kon-tiki

    Important Looking Pirates | Kon-Tiki


Latest V-Ray VFX News

Featuring studios and artists around the world working on films, TV, commercials, music videos, game cinematics, and more.

Keep up to date with the latest news and stories of all things V-Ray and VFX.







Atomic Fiction | Looper & Flight
The Chaos Group Team recently met with Atomic Fiction co-founder and VFX Supervisor, Kevin Baillie, to talk about the studio's latest VFX work.

Blur | FireFall
Interview with Kevin Margo, CG Supervisor at Blur Studio. Check out how Blur used V-Ray to create the cinematic for the game Firefall.
Aaron Sims | Archetype
Hollywood director, special effects artist, and character designer Aaron Sims discusses his latest short, Archetype. The team used Maya, V-Ray, and Nuke...
Dvein and Vando | Eva Title Sequence
Barcelona-based studios Dvein and Vando collaborated to create the title sequence for the sci fi film Eva. The team used 3ds Max with V-Ray...
fxguide | Cloud Atlas
fxguide goes behind the scenes of Cloud Atlas. Method Studios, RiseFX, and the ILM matte painting team mention V-Ray as part of the pipeline.
Iloura | Ghost Rider: Spirit of Vengeance
Drew Wood-Davies, Lead Lighting Artist at Iloura discusses how V-Ray is an integral part of their VFX pipeline...
Important Looking Pirates | Kon-Tiki
Interview with Niklas Jacobson, VFX Supervisor & Co-founder of ILP. In the production of Kon-tiki we used all of V-Ray’s advanced features, and...